hailing from montpellier, rodriguez jr. makes his return to leena with “kids of hula,” bringing the coastal sounds of his hometown along with him. after the success of “rubbo swingo”, his first release on leena, rodriguez jr.—who also comprises half of f communications’ the youngsters—went on to release records for boxer recordings and mothership. on leena’s 11th release, he has returned for a second round, once again displaying his softer side as a housey, psychedelic producer. “kids of hula“ begins on a strongly melodic note with airy, exotic chords leading the way and occasional accents of tropical percussion lining the backdrop. old-school throwbacks also have their place here, as the track climaxes with the use of psychedelic vintage sounds that recall the work of space disco giant lindstrom until they ultimately fuse together with the track’s initial harmonies to create a complex and layered final product. the b-side “pandora” begins with a more stuttered beat and a warbled, static-laced environment. the track reaches its high point with psychedelic sounds comparable to those heard on the a-side that possess a more hypnotic, melodic, and spacey twist. digital exclusive “offshore” fills its landscape with fragments of vocals and high pitched bleeps, blurps, squeals that alternate in time with one another until vintage synthesizers enter the picture. as the track progresses, the old-school synthesizer sounds and vocal snippets unite and begin to work together in unison, by the time the track reaches its peak, the vintage synths have taken on a completely new sound and direction, guiding the pulse of the track until its ending.

m swift, aka shouhei matsushita is the talented instrumentalist and producer who hails from hiroshima, japan but has lived in london and has been wide open to musical influences from around the world. as a fan of soul and jazz from a young age he has absorbed all the best elements of classic and contemporary black music and forged a singular identity that enables him to stand out in a musical landscape of sound a likes and copyists. this latest release feeling is a 5 track 12inch inch that is the precursor to his latest full length album evening sun which will be released on freestyle records in time for the summer û the album and this 12inch spotlights m swifts soulful, funky house and jazz inflected rnb combined with the spectacular talents of renowned performers such as eric roberson, tony momrelle, joy rose and vanessa haynes and 24 carat whose combined talents makes for an uptempo, feel good record, quality contemporary soul for real music lovers.

with recent releases on emergence and token, grovskopa debuts for labrynth and hits the floor hard with treacher collins . re-processed percussion and rolling low end seem to cause sensory overload at every turn. the perfect floor tool. aa/ balamber sees grovskopa maintain the industrial focus, but heads further into darkness and despair. driving forwards relentlessly, a rolling sea of bass and mechanical abrasive tones force us to move and dance! b/ trademark michaelangelo sounds here on the 4/4, reminiscent of some of the mid 90 s synewave recs releases. sirius carves into an immense sonic landscape. chaotic and crackling high frequencies modulate and break up over our heads, while monotone subs meander and bounce with the kick. big room techno. big sound. quality. bb/ massive offbeat techno from telesthesia, a collaboration between michaelangelo & coefficient. complex rhythms continually weave throughout the track. the journey deconstructs and falls into darkness, re-emerging again into precision synths and digital modulations

invaders must die is the prodigys 5th album, and is 40 minutes of having your head battered by future nostalgia, serotonin levels twisted by feel good horrorcore and your synapses snapped by whiplash attitude. its the sound of the prodigy mixing up genres, contorting the past and rewiring the future, ram raiding through the tranquility of musics status quo like a blot on the landscape of englands dreaming.

we re starting off the new year with a brilliant theatrical ep from an artist that rhythmically knows how to pluck the sinewy line between music and art. hailing from the mountains of hungary, laurine frost delivers a body of work that is deep, energetic and full of life. like the nocturnal depths of his landscape these songs conjure stunning and perplexing scenes of mystery and the unknown. through his composition and sound manipulations laurine s tracks resonate the dialectic between cultures and traditions and possesses an inventiveness and mysticism that spawns a maelstrom of turbulence and mirth.

part 1 of the new double-release from tiefschwarz aims at the heart of house music: soul. “on&on” is a first-class arranged club track. starting off with a wonderful mellow theme, that is adumbrated by the bass line in an one-and-a-half minute long exposition. the track ups the tempo with an additional hi-hat resolving into a shuffle beat. in double time, we move on towards the first break. here an edgy, minor key-chord sequence is introduced, making it obvious for everyone, that this track is gonna take off. eventually the keys function as a counterpoint to the classic bass line. a four-to-the-floor “on&on” vocal sample takes over after the break, adding another percussive aspect. as the track goes on a mulitiplicity of side elements sets in - no room for tediousness! in the end the “on&on” vocals resolve into “it’s so simple… . who knows, but this could be a broad hint to all the tech-house academics out there. no matter what, this grande finale raises a smile from every last sweaty soul on the dancefloor. with “best inn” on the b-side tiefschwarz create a dance classic, dressed in 2009 fashion. reminiscent of long gone nu-groove times, a traditional house beat - including a tiny off-beat tinker bell - blasts out of the speakers. a slured synth-organ provides the track with that certain edgyness. here, the brothers keep it laid-back yet exciting at the same time. this piece goes on and on and on - and you yourself run alongside, not wanting to pause. but watch out! at the latest in the second break, tiefschwarz put nostalgia to the test via some shockingly muffled metal drums. one of these moments, where you wish yourself back into the middle of an eight-hour deep-house set in 1992. the train departs. one thrillingly beautiful landscape after another runs by, until the warm sun strokes of the south suddenly rouse you out of slumber. arrived

support from chloé, konrad black, kiki, peter kruder, xpansul, dario zenker, danny tenaglia, par grindvik, andrew grant.. freak n chic sub label: micro-fibres, leaded by marc antona, says hello to 2009 with a glorious platter of hypnotic techno from the latter which marks the labels 5th release. through releases on mobilee, sender and micro-fibres antona has established himself as a purveyor of nononsense grooves which lock the listener in and provide the perfect aural ambience for hedonism, and this release is no different. >day after day after day< is an urgent, driving number which uses drops to build tension while looped melodies and delayed taps are employed to draw the listener into antonas dancefloor landscape

omanko is the only word that is unmentionable in japanese media and public speech. its also the next single from catz n dogz - a strange hybird of cinematic swells, quirky natural drums and popping guitar plucks. its unorthodox groove builds relentlessly, anchored by a shouting chorus and warm bass bubbles that swell from the depths like some massive ancient sea creature. they take their time building to the climax, finishing the track with late-entering keyboard theme that quickly swirls into a frenzy. perfect for tipping that peaktime crowd over the edge! the italoboyz remix completely remolds the groove to fit their distinctive vision, seamlessly integrating shards from the original into their tension-fuelled agenda. breakdowns of varying sizes dominate the sonic landscape, as their annihilating kick plays hide and seek with the strings throughout the track. finally, all the elements are reunited by the echo-drenched vocal line and percussive baritone sax stabs – a satisfying finale to this latenight masterpiece.

straight to the floor with earlier arkus p productions on this andreas kremer imprint

supported by: polder, m.a.n.d.y., lee burridge, laurent garnier, audiofly, mark henning, geddes, jeff samuel & ewan pearson, margaret dygas,..! tip fear of flying celebrate their 10th release with the mystically charged >mazo< ep from pawas being supported by lee burridge, laurent garnier, audiofly, ewan pearson, peace dvision. >mazo< ep is spontaneous, groovy and exotic. a package that dips in toes in diversity, flirting with an assortment of influences and marking the ability of pawas as an artist. the title track >mazo< has already been luring the attention of the big names, rattling out a kaleidoscope of drums. >disorder< is soothing and graceful, painting a landscape of dreamy sound.

continuing the spectacle that is the poker flat tournament series, we present two more surefire lessons in dancefloor mechanics. after his last storming >zeitgeist e.p< for poker flat, londons very own dark knight raudive aka oliver ho has crafted a powerfully hypnotic club tool that truly exists within its own world of unique and unmistakable sound. carefully executed beats roll forward as an astounding landscape of colourful vocal suggestions and emotions swirl and evolve. its a heady, uncompromising track that certainly stands out as its own, but could complement many different dj situations, from driving peak time sets, to free-flowing after-hours sessions… heading up the opposition for looks set to be a fine tournament indeed, minimise head-honcho and continual key-player donnacha costello brings things down and dirty with his unforgiving and foreboding >i must be going<. a catchy proto-acidic bass line snakes a winding path through a dense atmosphere of late-night paranoia. perfectly crafted beats push the energy along with a casual swagger, whilst the pleasingly tripped out vocal undertones leave the imagination to run wild

dachshund started to produce techno music in 2006. influenced by his background as a dub and d&b producer, his sound is energic and groovy. today, dachshund is one of the finest example of genevas top quality minimal techno scene. he released most of his tracks on different labels such as num records, platzhirsch, mental groove, 60sec, and many others. he plays live and dj set as well and knows exactly how to run a dancefloor. his releases >somehow<, >water game<, have been acclaimed by the whole scene. for his thrilling and creepy tracks he uses many spatial effects and therefore he creates very abstract sound buildings that are standing immovable in a well structured landscape of weird minds.

the man behind chymera is brendan gregoriy. releasing music since 2005, the producer from dublin already has an impressive discography with releases on labels such as delsin or ovum. >ellipsis< and >eulogy< are sonic epics that never cease zu fascinate the listeners. they manage to be bold and sophisticated, powerful and elegant at the same time. they transform the dancefloor in an maelstrom with no way out, and yet they never give their electronic cool away, they always remain subtle and somewhat distant. the sounds form an imaginary landscape, they are a projection surface for one s desires

already supported by pan-pot, sebo k, anja schneider, kiki, karotte... simplicity is the name of the game on both tracks here. on >louder elvis<, the two unleash pure deep-house bounce over ominous, detroit-inspired pads, clean-as-a-whistle bleeps laser their way through a fog of dubbed-out delay. the tunes flow suggests a live session, with tumbling chords following their own whims, but theres nothing haphazard about it. this ones all about the afterhours, head down and moving steadily into the light. a vocal sample kicks off >radio graceland< but dont expect any bloated rock n roll theatrics. instead, van dowski and agnès lay down a slowly rolling groove with a latin touch and even a little bit of reggaetón lurch. hand drums dapple the landscape with faded colors, keeping the mood subdued—at least, until the beat gathers steam and bright, syncopated chords splash about. groaning analog noises push the energy restlessly forward, driving dancers to wild abandon: the track is as effective as it is unconventional. what else would you expect from two of switzerlands most uncompromising crowdpleasers

finest electronic masterpiece by rekleiner!! incl daniel stefanik.. the debut release from murmur records, a new project from geddes, is an experience-driven experiment into the future of our musical landscape

big with fabrice lig, funk d’void, dj hell, jimpster, steve bug, 2000 and one, michael mayer, karotte, sebo k, kiki, gregor tresher, satoshi tomie. in 2001, art bleek started to release his first tracks on compilations. he played the saxophone alongside deejays and started spinning an eclectic blend of jazz, nu-jazz, broken beats, bossa-nova, world and electro jazz records in hip parisian bars and restaurants himself. at the end of 2004, art bleek signed a record contract with lounging records. he released his first album there, followed by a single, two eps and a remix album.

new york art and performance project fischerspooner team up with french hipster label kitsune to release one of the most anticipated singles of 2008. the first of a 2-part release will feature fischerspooners >the best revenge<, a brand new track to be featured on kitsune maison 5, along with remixes by alex gopher and autokratz. fischerspooners fine ability to cross and blend genres of art and music makes their partnership with the multi-faceted fox of kitsuné an obvious and powerful one. the result is something exciting, a beautiful synthesis of two pioneering artforces together prevailing forward, drawing out a musical landscape for 2008

natura sonoris is a new label that opens up to the world from barcelona to show a personal vision of electronic club music. we aim to create an intense musical landscape with organic and elaborated sounds. a music with content influenced by various elements: the power of techno, the precision of minimal, the hipnotic structures of trance and the evocative melodies of i.d.m... all this summarized in a unitary style with the dance floor in mind

played by todd terje, tim sweeny, mungolian jet set, bill brewster, dj cosmo and more. on this release they don’t seem to hide their combined love for soundtrack and trip hop at all! the heavy sonic landscape that is painted then suddenly gets some strokes of warm synthetic keys while a mid tempo 4/4 bass drum hypnotically keeps you going towards the end. finally you kindly get administered a dose of druggy guitar for maximum distortion effect.on the flip norwegian top-flight psychonauts mungolian jet set show their genius by telling a totally different story. for their dark & gloomy medievel knievel version the main theme from bs&f gets many variations and transpositions.this is a genuine and highly intelligent epic dance floor masterpiece not for the faint-hearted!

nice price deal !!! supported by joakim, octave one, ian pooley, smash tv (bpitch control), lerosa, dj falcon, lifelike

mark henning is back with a release on played by mike monday, paco osuna, karotte, tom clark, markus kafka, mike shannon, jeremy p.caulfield, seph !! einmaleins musik and the label is happy to have marks funkyness pressed on vinyl! a side track is rich of sounds, funky n groovy, changing all the time and giving life at the dancefloor. b side track is a more stripped down techno track with voices and background sounds that make a adventure sound landscape!the track keeps evolving and get the funk back in after the second half of it!special different release just like mark knows to do

played by andrew grant (dc 10 , ibiza), agaric, sarah goldfarb, someone else, troy pierce, remute and many more !! the new berlin based avant-garde label minimood releases a stunning debut feat. foundsound co-head fusiphorm and vidabs koljah. the green chocolate ep unleashes a high-quality triple serving of dextrous and sophisticated minimal click alchemy. fusiphorms a1 >green chocolate< lays down an early solid foundation by intertwining a pulsating bassline with minimal chipped beats to create a driving shuffling rhythm. as the suspense builds up, the track suddenly explodes into a grizzling, throbbing dance floor monster. with >mister blue< on b1, fusiphorm moves into deeper territory as he takes you on a journey through a bubbling industrial post-digital landscape. koljahs really gets down to business on b2 with his exploding cake recipe for how to make cake from green chocolate

ost & kjex (cheese & biscuit) are known for their releases on crosstown rebels (uk), punkt & par records (germany), dialect (france) and planet noise (norway). ost & kjex currently have an ep planned with get physical over the coming weeks. the boston food strangler is a new villain in the world of cheese & biscuit (ost & kjex). armed with razor sharp teeth and a deadly appetite hes a piece of foods worst nightmare. the song is a moody techno journey with cheesys lamenting vocals going on about his most dreaded cereal killer. bleu de vache is a hymn to the boys favorite french blue cheese and their favorite animal, the cow. imagine small blue cows shuffling along in a sweet electronica landscape. dreamtime!

dj support: karotte, ricardo villalobos, shinedoe, tobi neumann !! its only july and serafin has already finished his first release of the year. he teams up with percussionist roman bruderer from the p-train crew to embark on a rhythmic journey into the housier realms of club music. have they had enough of the streamlined, overengineered high tech sound that still dominates the landscape? we certainly do welcome the vintage house dirt that they deliver and believe that this is one of serafins best releases to date. this is music for all kinds of summer dancefloors that will open up your crowds hearts. peace

belgium is back! besides activists like the gimmers, marco bailey and spirit catcher there is a new star rising up in the landscape of electronic music. besides releases on labels like turbo, blue fin and king kong, kolombo has founded his own creative cell called vice versa. >seat back< is the original version produced by the loulou players member himself and >back seat< has been remixed by swedish top producer david ekenbäck who has already made several great productions with stockholm wunderkind john dahlbäck. definitely something to watch out for

with >slow potion<, asli takes the cold barren landscape of iceland, marries it with the deep soul of new york (think ibadan or objektivity) and then throws in a hint of banging german minimalism (think kompakt vs mobilee). and what comes out is truly a dancefloor masterpiece - beautiful and at the same time a full ‘hands in the air peaktime banger. classical strings joined by electronic beats and a throbbing bassline. on the flip side with >east city life<, he takes it even deeper. minimal yet groovy, asli builds us a perfect track for the late night

stuck in time is a personal statement on a particular time and of particular experiences in my life. the sounds codebase choses to use on this album point towards an alternate universe of where music may have gone instead of where it is now, fusing analog disco bass and electric piano sounds reminiscent of the 1970s with sampled electronic percussion sounds of today. this juxtaposition crystallizes the temporally frozen sonic landscape of the album a musical fossil from somewhere outside the linear progression of time

dj support : 2000 and one, james flavour, jennifer cardini, josh wink... sebbo the first german act on trackdown, sebbo suckfüll and denis gökdag come up with a monster that could already be called >anthem<. the track features a chord sequence that will be heard and remembered. upfront electronic house music meeting funkiness and minimalism. raphael ripperton of the lazy fat people crew, a big fan of the track himself, is on remix duty here. overlooking the lake of geneva from his studio facilities in lausanne, he watches autumn taking a firm grip of the landscape. colors are changing and fog banks hover above the lake. inspired by this view he completely changes the atmosphere of the track while preserving its funkiness. the result is a haunting, psychedelic and equally catching interpretation of the original

combining sams love of house, classic techno, electro, latin and jazz influences, >twisted< is a beautiful journey through an electronic landscape littered with orchestral sweeps, delicate pads, sublime robert owens-esque vocals, dancefloor beats and heart tugging strings. featuring guest appearances from subject detroits dj bone, la based singer ovasoul 7, vocalist and guitarist justin chapman, who is also onehalf of the atlanta-based dj/production duo kemeticjust and the one and only paris the black fu from the detroit grand pubahs. deetron shows us that techno can still conjure moments of beauty whilst still keeping us on the dancefloor !!

2 album tracks ft. paris the black fu !! combining sams love of house, classic techno, electro, latin and jazz influences, >twisted< is a beautiful journey through an electronic landscape littered with orchestral sweeps, delicate pads, sublime robert owens-esque vocals, dancefloor beats and heart tugging strings. deetron shows us that techno can still conjure moments of beauty whilst still keeping us on the dancefloor

luciano & tobias freund edit of n.s.i. s original track once again, cadenza comes on strong with a powerful and unconventional floor-filler, proving that >minimal< music neednt be a predictable affair of plug-ins, gratuitous reverb, and garish bit reduction. in its first limited-run, one-sided single, cadenza revisits last year s >max binski< ep from nsi (non standard institut)-the duo of tobias freund (pink elln, sieg Über die sonne) and max loderbauer (sun electric)-with a 13minute edit by freund and luciano. the edit takes >clara ghavami<, a sleeper cut off the b-side of the nsi ep, out of the isolation tank and into a crazy, heaving landscape of fluid shapes and odd angles. underpinning it all is an irresistible rhythm that s pure luciano-powered by a stuttering kick drum and some antennae-like, hypersyncopated squiggles, it pumps away like a legion of army ants, carrying exponentially more than its own weight

the city light ep is another of lucass top class productions that illuminates his love for techno and house, the title track whistles and winds its way through and alien lunar landscape, its a dance floor monster as tightly sprung stabs give way to a classy piano line.. plays from funk d void, stanny franssen, dan curtain, dj linus.…

nice dance track with huge synth line and nice piano on a side flip for a great funky guitar track backed with huge strings (sb)

eine elektronische komposition.. stills, loops, slomos, rhythmische miniaturen in bester jeff mills manier

excellent spheric neo trance tracks

chill out

remaster

cd Ñ housed in a six-panel digipak with additional artwork featured on the inner sleeve.

14 techno / electro tracks

the title of this new album by vanessa wagner refers to john cageÕs imaginary landscape (1939), one of the first works to use electronic devices.

mac-talla nan creag is channeling ancient rites, the mysteries of the scottish landscape and its elements through technologies both old and new for your listening pleasure.

the prodig s seventh studio album, no tourists will be released on their take me to the hospital label via bmg. in a career approaching 30 unpredictable, uncompromising years, the prodigy have become that rare artist whose influence can be felt across all walks of life. continually defining (and re-defining) electronic music, the band have clocked up a staggering 6 number 1 albums, played to many millions around the world, and remain as relevant and respected as ever. though much has changed in the musical and social landscape, what remains a constant is the prodigy s resolute focus on following their own path, their own way. this, perhaps, is the true meaning of no tourists , and in 2018 the anger, urgency, and irrepressible spirit of the prodigy has no doubt never been more needed

terence fixmerÕs path through the changing techno landscape of the past 20 years has been anything but direct. indeed, the french born producer, musician and planete rouge label founder has long been influenced by the periphery of continental european dance music subgenres from electronic body music, new beat and acid, before combining them into his own pioneering hybrid of futuristic, ebm-inflected techno with classic releases such as 2001Õs muscle machine or the collaborative between the devil lp with nitzer ebbÕs douglas mccarthy as fixmer/mccarthy. while the sound in recent years has been rediscovered and recast in diverse contexts by a new generation of producers, through the cortex sees fixmer gravitating toward a different kind of industrial-tinged electronics, led as much (or more) by analogue sequencers, melodies and ultra-saturated sounds of synthesizers than drums and percussion. across eight tracks at a compact but varied 40 minutes, the lp touches on an aesthetic hinted at in recent ostgut ton releases (2016Õs beneath the skin ep and 2017Õs force ep), revealing a sonic narrative through noisy, screaming synth/vocal riffs with a jagged, guitar- like post-punk sensibility.

luaka bop presents this album from contemporary brazilian legend kassin. one of the leading producers and instrumentalists in brazilian music, alexandre kassin has produced roughly 100 records for singers, including marisa monte and bebel gilberto, recorded with sean oÕhagan (stereolab, high llamas) and made a full album based on nintendo game boy sounds. he has played bass for caetano velosoÕs live shows and conceptualized the orchestra imperial band. his new album, relax, is rooted in dreams and surrealism, yet grounded enough to reach listeners where they are. across 11 tracks, kassin flirts with latin rhythms, brazilian pop, and straight-ahead soul, using this varied stylistic array to tell imagined tales of death, drug usage, politics and fate. theres a dichotomy to relax, with kassins arrangements often feeling bright and danceable, yet with incredibly sullen themes. its a record that speaks directly to the yin and yang of everyday life, and the uncertainty that comes with simply existing.

afterhours, one of the most iconic series on the global underground label returns with a brand new journey. this is the soundtrack to your post clubbing adventures, the music for the party after the party. over 30 tracks and 2 continuous dj mixes of eclectic electronica, dirty basslines, pitched back techno and blissed out 90bpm moments, all cut up, spliced and layered to create a sonic landscape to get lost in! with music from whomadewho, tuff city kids, matthew dear, howling, trentem¿ller and more.

answer code requestÕs 2014 debut lp code was an exciting moment for electronic music in berlin Ð one that offered a break from the eternal hall and monolithic 4/4 kicks that ruled the cityÕs club landscape. as a hybrid gesture, the albumÕs spirit recalled an especially fruitful era in the german capital from the mid-90s to early 2000s, when dub and pad- driven detroit techno cross-pollinated with berlinÕs industrial aesthetic to create one of the cityÕs most exciting musical chapters.

a remastered version of shenzhou on triple vinyl and double cd with the bonus album-the samphire tower. paul cooper, pitchfork: shenzhou, aside from being the name of the chinese manned-spaceflight vehicles, means magic vessel, and i cant imagine a more apt description for geir jenssen s latest excursion into ambient deep listening. after following an aphexian trajectory with his releases on apollo, the ambient sublabel of belgiums r&s records, jenssen veered from the padded sci-fi-inspired techno of microgravity and patashnik with 1997s substrata, a genre-defining exploration of drifting soundscapes. substrata remains for many the album that perfectly expresses the serenity and intensity of arctic wildernesses, a landscape jenssen knows intimately, having spent much of his life in the norwegian arctic circle. in 2000, jenssen nearly eclipsed the success of substrata with cirque, a frequently frosty submerging of excerpted conversations and found environmental sounds that rivals wolfgang voigts gas project in its rumbling, gauzy beauty. jenssen again relies on found sound as source material for shenzhou, but this time, the found sound is old vinyl recordings of the orchestral works of french impressionist composer and ambient precursor, claude debussy. jenssen lifts fragments of these scratched records in a similar manner as he did for cirques black lamb grey falcon and iberia eterea

the techno revolution 30 years ago, where boundaries, walls and our own guarded natures came crumbling down? the archaic establishment-challenging attitude and forthright energy of the punks? the long-awaited eruption of gay culture that had burned and yearned since the dawn of mankind? dare you travel even further back? rewind two hundred years to the romantic revolution where men like the blitzed berloiz helped us transcend our physical limitations for suspended moments of fantastique disbeliefÉ all of these moments have shaped us, our music and our culture. each movement comprising artists who like us right now are trying to make sense of the uncertain world, the chaotic present and the fearful future. artists like hell. welcome to the futureÉreflecting over his participation and contribution to myriad cultural movements since the late 70s, his passion of ever-evolving musical form and our current socialpolitical landscape, hell taps into our collective rich histories, our combined fears and our mutual desires to create his most personal, ambitious and thought provoking body of work to date: zukunftsmusik. his fifth studio album zukunftsmusik fuses some of hellÕs strong signature motifs (his passion for subversion, his great kosmiche canvases, sudden throbbing bursts of dancefloor dynamism, subtle songcraft) yet it sounds unlike anything hell has ever created before. there are very few big club singles. a delicate balance of classical dramatic orchestral tension and evocative futuristic synthesis runs throughout. dark and light, hope and fear, fast and slow, day and night.over the course of one hour helmut josef geier invites you on a musical trip of a lifetime his lifetime, your lifetime, musicÕs lifetime.